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5 (63) : : : :10 11: :55 12: :30 14: :15 14: Walter Pater Duke Carl of Rosenmold RPD Reader and Spectator: A Paratextual Approach to the Practice of One-to-One Performance University of Sheffield 2 Saint Joan 3 Shakespeare s Sonnets 4
6 2 (64) An Artist of the Floating World 2 The Unconsoled 3 A Room with a View E. M. Forster 4 Joseph Conrad Heart of Darkness Mary Seacole Poe 2 3
7 (65) Agatha Christie arrive 2 3 preceding / following 4Algate(s) alway(s) 15:10 17: : : :30 4,000
8 4 (66) :10 Walter Pater Duke Carl of Rosenmold Walter Pater Imaginary Portraits Duke Carl of Rosenmold The Renaissance :55 23 Samson Agonistes :30 2 RPD William Wordsworth 2
9 (67) 5 Fate this wretched fate dei numina Gods the divine will the Powers Heaven 4 14:15 Edward Young, Night Thoughts, :10 Reader and Spectator: A Paratextual Approach to the Practice of One-to-One Performance University of Sheffield Informed and inspired by various artistic themes, contemporary theatre practice in Britain today embraces diverse formal aesthetics and displays a wide variety of presentation. While the tradition of textbased theatre still flourishes, contemporary performance has simultaneously developed rich and complex theatrical languages which extend far beyond and are not contained by the verbal. I propose that the application of paratext or paratextuality, as conceptualised by Gérard Genette enables us to examine this kind of contemporary performance. In this paper, I conduct a paratextual analysis of Walking: Holding, a performance piece by Rosana Cade, to discuss the opportunities this approach offers. Walking: Holding takes the form of a one-to-one performance, a growing genre of performance during the past decade which addresses the issues of disconnection amongst people due to fragmented communication and the lack of direct contact in the digital age. Regarding a performance piece as a text itself, I argue that the relationship between performer and audience can be considered as a paratextual element of this performance, which is an integral part of the meaning-making process of the piece.
10 6 (68) 2 11:55 Saint Joan Saint Joan 1923Epilogue Joan 1920 Joan 4Epilogue Joan commonsense 3 13:30 Shakespeare s Sonnets Sonnets, :
11 (69) :10 An Artist of the Floating World Kazuo Ishiguro An Artist of the Floating World 1986 Ishiguro Ishiguro Ono Ono floating world Ishiguro 2 11:55 The Unconsoled Kazuo Ishiguro The Unconsoled 1995 Ryder Ryder Ryder Homeless Writer Ishiguro
12 8 (70) 3 13:30 A Room with a View E. M. Forster E. M. Forster comrade Howards End Margaret A Room with a View Emerson Beebe Forster A Room with a View Lucy George Cecil Forster 4 14:15 Joseph Conrad Heart of Darkness Heart of Darkness :30 3
13 (71) public private :15 Mary Seacole Mary Seacole Wonderful Adventures of Mrs. Seacole in Many Lands 1857 Seacole 20 Seacole :10 Poe Edgar Allan Poe Poe The System of Doctor Tarr and Professor Fether 1845 Poe Southern Literary Messenger [SLM] SLM Poe
14 10 (72) 2 11:55 Richard Powers withdrawal 3 13:30 DV :10 Agatha Christie Agatha Christie 2011: Sperber & Wilson 1995
15 (73) 11 Agatha Christie 2 11:55 transferred epithet Hall :10 arrive arrive i ii2 9 arrive i arrive ii arrive 2 11:55 null arguments
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17 (75) The Great War 21 Future Modern Mina Loy Gertrude Stein Ezra Pound T. S. Eliot William Carlos Williams Mina Loy logopoeia Pound Loy expatriate transatlantic 300 T. S /
18 14 (76) T. S. 300 Coriolan Triumphal March 1931 Difficulties of a Statesman David Cameron Michael Gove Wilfred Owen Siegfried Sassoon 21 D.C memorialization theater
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Title E. サピア 言語 (1921) の言語史原理 ( 前篇 ) : 語はどのように相互影響しあうか 解読 第 9 章言 Author(s) 三輪, 伸春 Citation 地域政策科学研究, 10: 171-194 Issue Date 2013-03-23 URL http://hdl.handle.net/10232/16669 http://ir.kagoshima-u.ac.jp
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