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1 フォト エスノグラフィーの理論と実践 Theory and Practice of Photo-ethnography 田原範子 岩谷洋史 Noriko TAHARA Hirofumi IWATANI Edward S. Curtis - Robert Flahaty - キーワード LINE 第 1 節フォト エスノグラフィーの理論 1-1 フォト エスノグラフィーとはなにか Photoethnograhy.com WEB Photoethnography can be considered both an applied methodology of an academic social science discipline Visual Anthropology as well as a form of artistic expression and social critique, akin to street photography or documentary photography. WEB
2 1-2 研究活動における写真の活用 mode de connaissance index isomorphisme distance coupure platitude singularité act Piette
3 photo elicitation Harper Harper cf. Tinklker 1-3 写真を考える 分析対象としての写真と写真を作る行為 -
4 1-4 エスノグラフィーとフォト エスノグラフィー
5 Van Maanen : Clifford &Marcus eds = Lincoln and Denzin : 1-5 フォト エスノグラフィーの過程
6
7 Powerpoint Keynote Impress 第 2 節フォト エスノグラフィーの実践 2 1 フィールドワークとカメラ
8 2-2 フォト エスノグラフィーの主題
9 LINE LINE LINE LINE LINE LINE LINE 2-3 調査の概要 Casio Exlim HS B C
10 田 原 範 子 岩 谷 洋 史 2 4 フォト エスノグラフィーの実践 LINE 移動 境界 生成 スライド 1 スライド 2 スライド 3 スライド 4 スライド 5 スライド 6 74
11 フォト エスノグラフィーの理論と実践 スライド 7 スライド 8 スライド 9 スライド 10 スライド 11 スライド 12 75
12 田 原 範 子 岩 谷 洋 史 スライド 13 スライド 14 スライド 15 スライド 16 スライド 17 スライド 18 76
13 フォト エスノグラフィーの理論と実践 スライド 19 スライド 20 支配 スライド 21 虐殺 分断 スライド 22 Kigali Genocide Memorial 難民 スライド 23 Murambi Genocide Memorial Centre スライド 24 equator line 77 arctic circle
14 2-5 フォト エスノグラフィーのプロセス スライド 1 : タイトル スライド 2 :ipadに映し出された調査対象地域の地図 スライド 3 5 :LINEを越える移動 LINE スライド 6-8 :LINEの構築 LINE LINE Dei LINE Rusizi
15 スライド 9-16:LINEによる生成 $ =UGX $ =RF UGX RF RF RF RF IT PC スライド17-19:LINEを辿る - スライド20-22: 民族というLINE
16 LINE Kigali Genocide Memorial Baudouin Mutara tutsi hutu twa Kayibanda Gregory Habyarimana - Kigali Genocide Memorial Kigali Genocide Memorial Huye Butare Murambi Genocide Memorial Centre スライド23: 時間のLINE Kigali Genocide Memorial スライド24: 空間のLINE LINE LINE LINE
17 2 6 フォト エスノグラフィーからエスノグラフィーへ LINE LINE LINE LINE LINE おわりに フォト エスノグラフィーの課題と可能性
18 LINE
19 参考文献 Atkinson, P. A., Coffey, A. J., Delamont, S., Lofland, J. and Lofland, L. H. eds.,, Handbook of Ethnography, London: Sage. Barthes, Roland,, Rhétorique de l'image, Communications,, -. Benjamin, Walter,, Kleine Geschichte der Photographie. - Böhme, Gernot,, Atmosphäre: Essays zur neuen Ästhetik, Frankfurt am Main. Denzin, N. and Lincoln, Y. eds.,, Handbook of Qualitative Research, Thousand Oaks: Sage. Van Maanen, John,, "Ethnography," Adam Kuper and Jessica Kuper eds., The Social Science Encyclopedia nd ed., London: Routledge, pp. -. Faist, Thomas,, " The mobility turn: a new paradigm for the social sciences?" Ethnic and Racial Studies,, Vol., No., pp. -. Harper, Douglas,, Working Knowledge: Skill and Community in a Small Shop, University of Chicago Press. Harper, Douglas,, "Talking about Pictures: A Case for Photo Elicitation," Visual Studies, Vol., No. Ingold, Tim,, Lines: A Brief History, Routledge. b b Piette, Albert,,"La Photographie comme Mode de Connaissance Anthropologique," Terrain,, pp. -. Piette, Albert,, "Epistemology and Practical Applications of Anthropological Photography," Visual anthropology, vol., pp. -. LINE b b - Tinkler, Penny,, Using Photographs in Social and Historical Research, Sage Publications. Urry, John,, Sociology beyond Societies: Mobilities for the Twenty -First Century, Routledge.
20 Unesco,, General History of Africa, Vol.,Unesco. A. G.N. 参考 web site Photo Ethnography あとがき 謝辞 - Marcel Griaule - Photoethnography.com A B A B A B A B Prezi
21
22 Theory and Practice of Photo-ethnography Noriko TAHARA Hirofumi IWATANI As technological progress has diffused sophisticated digital equipment and made it accessible, a new style of ethnography has emerged that is defined by the recording of visual materials recorded using small, handheld cameras; the editing of digital information using personal computers; and the sharing of materials over the Internet, for example, through YouTube. This article presents a theory and practices pertaining to photo-ethnography, in which photographs are unified in certain arrangements that reflect the theory and logic of ethnography. The first section describes the theoretical foundation of photo-ethnography by tracing photographic theory in the context of visual anthropology, while the second section presents a photoethnographic case, Line: National Border, as an example of our theory.
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